Copyright Ownership and Chain-of-Title Checklist: Assignments, Work-for-Hire, and Termination Windows

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This checklist runs a copyright portfolio from an unexamined pile of files to a title package a buyer or lender will accept, in eleven phases. It builds the works register from accounts payable rather than the contracts database, names the human author behind every asset, and classifies each creator as employee, commissioned contractor, joint author, or third-party licensor using the Reid and Aymes factors and the nine enumerated categories of 17 U.S.C. Section 101. It then papers the transfers with present-tense conveying language and confirmatory assignments, audits the third-party stock, font, open-source, and machine-generated material buried inside deliverables, and sequences registration before recordation so that Section 205(c) constructive notice actually attaches and the one-month Section 205(d) priority clock is met. The back half calculates every termination window under Sections 203 and 304(c)-(d), assembles the statutory successors who together hold more than one-half of the termination interest, and drafts, serves, and records a notice that satisfies 37 C.F.R. Section 201.10 in all three of its independently fatal steps. It closes with the closing binder, the intellectual property representations, and the termination disclosure schedule. Two matters are carried throughout: a Providence software company repairing its title before a Series B, and an illustrator recapturing a 1992 grant.

IP and Technology > Copyright | Checklist | Published 31 December 2024 - Updated 4 February 2026 | Casey Scott McKay - marksy.us

Summary. This is the working pass that takes a copyright portfolio from an unexamined pile of files to a title package a buyer or a lender will accept. Eleven phases: build the register from accounts payable rather than the contracts database; name the human behind every asset; classify each creator as employee, commissioned contractor, joint author, or licensor; paper the transfers in present tense; audit the stock, fonts, open source, and generated material buried inside the deliverables; register before you record so that § 205(c) constructive notice attaches and the one-month § 205(d) clock is met; calculate every termination window under §§ 203 and 304(c)-(d); assemble the successors who hold more than half the termination interest; and draft, serve, and record a notice that survives all three independently fatal steps of 37 C.F.R. § 201.10. It ends with the closing binder and the disclosure schedule. Two matters run through it: a Providence software company repairing its title before a Series B, and an illustrator recapturing a 1992 grant.

Keywords: copyright chain of title · work made for hire audit · section 204(a) writing · present assignment · confirmatory assignment · nine enumerated categories · section 205 recordation · constructive notice · section 203 termination window · section 304(c) termination · 37 cfr 201.10 · notice of termination service · termination interest majority · derivative works exception · transfer statement · open source audit · third-party materials schedule · copyright due diligence · joint authorship agreement · loan-out company grant


What this checklist is for

Use it to audit and repair the copyright chain of title in a company's portfolio, and to calculate and exercise — or defeat — a statutory termination. It is the operational form of two companion documents: the doctrine is in Who Owns the Work, and the drafting, filing, and fee mechanics are in Transfers, Licenses, and Termination Rights. Nothing below re-teaches either. If you are unsure whether the logo your contractor delivered is a work made for hire, read the article first. It is not.

Who should use it. In-house counsel preparing for a financing or a sale; outside counsel running buy-side IP diligence; a solo or small firm cleaning up a founder-stage portfolio; an author's counsel calculating and serving a § 203 notice; and a grantee's counsel auditing one that just arrived.

What you need before you start. Read access to the accounts-payable ledger and the payroll/1099 file for the full look-back period; the contracts repository and any e-signature account; administrative access to the source-code repositories and the digital asset manager; the marketing asset library; every registration certificate the company holds; a Copyright Office account for the Public Catalog, the electronic Recordation System, and the registration system; and a docketing tool that will still exist in thirty-five years.

The two matters carried through. Ravensworth Analytics, a Providence software company with 41 employees closing a $28 million Series B, which since 2022 has commissioned 40 product photographs, a logo and brand system, a mobile app, and a marketing site drafted partly with generative tools — and has almost no signed IP paper. Maren Ostrowski, an illustrator who assigned all rights in her picture book Pip the Pangolin to Halcyon Press on 12 June 1992 and wants them back. Ravensworth drives Phases 1 through 7 and 11; Maren drives Phases 8 through 10, because Ravensworth's own earliest termination window does not open until 2059.

| Phase | What it produces | Typical elapsed time | |---|---|---| | 1 | A scoped audit plan and an empty register with the right columns | Half a day | | 2 | Every work matched to the human who made it | 2 days to 3 weeks | | 3 | Each creator classified; each defect typed | 3-8 days | | 4 | Executed forward paper and confirmatory assignments | 2-8 weeks | | 5 | A third-party materials schedule and a remediation list | 1-3 weeks | | 6 | Registration certificates or pending applications | 1 day to file; 2-4 months to issue | | 7 | Recorded transfers with a receipt date inside 30 days | 1-2 days to submit | | 8 | A termination docket with five dates per grant | 2-4 days per 500 titles | | 9 | A signature roster exceeding one-half of the interest | 6-12 weeks if the author is deceased | | 10 | A served and recorded notice under 37 C.F.R. § 201.10 | 4-8 hours per work; months per catalogue | | 11 | The closing binder, reps, and disclosure schedules | 1-2 weeks |


Phase 1 — Scope the audit and stand up the register

Practice tip. Number the works before you populate the rows. A work ID that survives a title change (RAV-2024-BRAND-011) is what lets the registration certificate, the assignment, the recordation, and the disclosure schedule refer to the same thing three years from now.

Phase 2 — Inventory the works and name the human who made each one

Worked example. Ravensworth's register came out at 213 works and 47 contributors. The contracts repository held 19 agreements. Accounts payable held 31 creative payees. Nine of the twelve extra names had produced something still shipping, including Elin Bardsley, the photographer paid $6,000 in 2023 against nothing but an emailed quote.

Phase 3 — Classify each creator: employment, commission, collaboration

| Finding in the register | Who owns it right now | Action | |---|---|---| | W-2 employee, work squarely in scope, no IP clause | Company, as author, § 201(b) | Confirmatory clause; no urgency | | W-2 employee, work arguably out of scope | Contested | Present assignment now, for stated consideration | | Contractor, deliverable inside the nine, signed pre-creation writing | Company | Nothing; register and record | | Contractor, WFH recital only, deliverable outside the nine | Contractor | Confirmatory present assignment (Phase 4) | | Contractor, no writing at all, work delivered and paid | Contractor, subject to an implied nonexclusive license | Confirmatory assignment; if refused, value the license at zero | | Contract shop with no flow-down from its own freelancers | The freelancer | Direct assignment from the freelancer to the company | | Grant signed by a loan-out entity | The entity, if it ever got rights | Chase the individual's assignment to the entity |

Worked example. Ravensworth's 213 rows produced three deliverables outside the nine categories carrying nothing but a work-for-hire recital or no writing at all — the 2023 photographs, the 2024 logo and brand system, and the 2026 marketing site — plus one subcontractor gap: Two Rivers Interactive in Austin had proper paper of its own for the 2025 mobile app, but had hired the animator Yulia Kravets for the onboarding sequence and never papered her. Four broken links, three of them repairable with the same instrument.

Phase 4 — Paper the transfers

The structural choice behind each of these instruments — moving title versus granting permission — is Assignments vs. Licenses; the executable shell to adapt is the assignment agreement template, and licensing mechanics are in How to Draft a Trademark License Agreement.

Trap. "An exclusive, perpetual, irrevocable, worldwide, royalty-free license to use the Deliverables for any purpose" is not an assignment. The author remains the copyright owner, holds the registration claim, and has started a § 203 clock that buyer's counsel will find.

Phase 5 — Audit third-party content, open source, and generated material

The contract, disclosure, and registration mechanics for generated material are in the AI, Content, and IP Toolkit, the generative AI IP compliance checklist, and Who Owns What the Machine Made. If the worry is the input side rather than the output side, run the fair use risk assessment checklist. For a site or app about to ship, pair this phase with the website and app launch legal checklist.

Phase 6 — Register the works, in the right order

Application types, deposit requirements, and the group options are worked through in Registering a Copyright and the copyright registration checklist; what the certificate is actually worth is quantified in What Copyright Registration Actually Buys You.

Phase 7 — Record the transfers and win the § 205 race

The trademark counterpart, which runs on a different system and a three-month priority rule, is the assignment recordal checklist, with the deal framing in Trademarks in the Deal.

Worked example. Ravensworth registered four works — the brand system, the app, the photograph group, and the marketing site with a limitation of claim excluding generated text — and recorded its three confirmatory assignments plus the direct assignment from Yulia Kravets eleven days after signature, comfortably inside the one-month window.

Phase 8 — Calculate every termination window

Worked example — Maren Ostrowski. Grant executed 12 June 1992 including the right of publication; Pip the Pangolin published 3 September 1994. Thirty-five years from publication is 3 September 2029; forty years from execution is 12 June 2032; the earlier governs. Window: 3 September 2029 to 3 September 2034. For the earliest effective date, service must occur between 3 September 2019 and 3 September 2027. Choosing a later effective date buys runway and costs recaptured term — and gives Halcyon's successor more time to bank derivative works it keeps forever.

Phase 9 — Assemble the termination interest

Budget $2,000-$15,000 and six to twelve weeks for genealogical work on a blended family. Start it two years before the last permissible service date. In music and film matters, where loan-outs, session players, and co-writers multiply the roster, work this phase alongside the Music, Film, and Creative Industry IP Toolkit and the music clearance checklist.

Phase 10 — Draft, serve, and record the notice under 37 C.F.R. § 201.10

This is the only three-part act in copyright practice where any one failure destroys the whole. Treat the three sub-lists as three separate deadlines.

Content. The regulation requires a complete statement, without incorporation by reference of information in other documents. 37 C.F.R. § 201.10(b)-(c).

Service.

Recordation.

Worked example — Maren. Halcyon has been sold twice; her reasonable investigation produces the recordation index for assignments referencing Pip the Pangolin, the current registration record, corporate filings tracing the successors, and service on all four entities in the chain. Four envelopes against one termination.

If you act for the grantee, audit an incoming notice in this order, because each item has killed a real notice: (1) is the work a work made for hire, the only structural defense; (2) was the grant executed by the author or by a loan-out; (3) is the effective date inside the window on your own recomputation; (4) was service between two and ten years before that date; (5) was the correct entity served by a permitted method; (6) do the signatories exceed one-half; (7) is every content element present; (8) was it recorded before the effective date, confirmed by your own search. Jurisdiction for a declaratory judgment of invalidity is 28 U.S.C. § 1338(a). And remember that from the date of service until the effective date, you are the only party in the world who can sign a binding further grant. 17 U.S.C. § 203(b)(3).

Phase 11 — Assemble the deal-ready title package

The transactional framing across every IP type is the IP Due Diligence Toolkit for Mergers, Financings, and Asset Sales; the parallel trademark pass is the trademark due diligence checklist and Trademark Due Diligence in Mergers and Acquisitions. The curated entry point to everything upstream of this checklist is the Copyright Fundamentals Toolkit.

What "done" looked like. Ravensworth closed its Series B with three confirmatory assignments and a direct assignment from Yulia Kravets to Ravensworth rather than through Two Rivers, all four recorded eleven days after signature, one AGPL component replaced, four registrations pending, and a one-line footnote disclosing that the 2024 logo carries a life-plus-70 term and a § 203 window opening in 2059. The footnote cost nothing. Its absence would have cost a week of diligence and a holdback.

Common Mistakes

Building the register from the contracts database. It records the relationships someone remembered to paper. Start from accounts payable.

"Agrees to assign." Two words that leave title with the creator. Search every template you own and replace them with "hereby assigns."

Believing the work-for-hire recital. For a logo, a website, a standalone photograph, or a standalone application, it does nothing at all — and worse than nothing, because it persuades everyone that title moved.

Recording before registering. Constructive notice under § 205(c) requires registration. A recorded assignment for an unregistered work is an archival curiosity.

Treating an exclusive license as a license. It is a transfer under § 101: it needs a writing, it is recordable, it confers standing under § 501(b), and it starts a § 203 clock.

Forgetting the subcontractor layer. A contract shop cannot assign what its own freelancers never assigned to it. Ask for the flow-down instruments by name.

Counting the termination interest wrong. More than one-half, not one-half. Per stirpes, not per capita. A deceased child's branch moves only by a majority of that branch.

Serving a notice you cannot prove you recorded. Recordation before the effective date is a condition, not a formality. Docket it a year early.

Curing by relabeling. A later stipulation that a work was made for hire is a void agreement to the contrary. Marvel Characters, Inc. v. Simon, 310 F.3d 280, 290-92 (2d Cir. 2002). A knowing, counseled, compensated revoke-and-regrant is a different animal — Milne ex rel. Coyne v. Stephen Slesinger, Inc., 430 F.3d 1036 (9th Cir. 2005), against Classic Media, Inc. v. Mewborn, 532 F.3d 978 (9th Cir. 2008) — but it is a negotiation, not a drafting trick.

Deadlines at a Glance

| Clock | Length | Runs from | Consequence of missing it | |---|---|---|---| | § 205(d) recordation grace | 1 month (US execution) / 2 months (abroad) | Execution of the transfer | Lose priority to a later good-faith transferee who records first | | Registration for statutory damages, § 412 | 3 months | First publication | No statutory damages or fees for infringement begun before registration | | § 203 window | 5 years | 35 years from execution, or the earlier of 35 from publication and 40 from execution | No second chance; § 203 has no later window | | § 304(c) window | 5 years | 56 years from the date copyright was secured | § 304(d) may give a second chance if eligible | | § 304(d) window | 5 years | 75 years from the date copyright was secured | Final; confined to copyrights secured 1 Jan 1923-26 Oct 1939 | | Notice service | Not less than 2, not more than 10 years before the effective date | The chosen effective date | Notice void | | Notice recordation | Any time before the effective date | Service | Termination does not take effect at all | | Email-service consent | Given within 30 days before service | The grantee's written consent | Service by that method is invalid | | Further grant to a third party | Only after the effective date | Effective date | Grant invalid | | Further grant to the incumbent grantee | Any time after service | Date of service | The grantee's two-year statutory monopoly on the deal |

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This document is general information about the law, not legal advice, and does not create an attorney-client relationship. Trademark and copyright outcomes turn on specific facts. Marksy is not a law firm.

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